“He also makes a good patron saint of Britain because of his character. He was particularly humble and believed in talking directly to people. When he was given a horse by King Oswald of Northumbria, he immediately gave it away because he was worried that he would not be able to communicate properly.

“He was also not shy of reprimanding the mighty and powerful about their failings. He saw it as part of his job to remind secular rulers not to get above themselves. At a time when we are thinking about what makes Britishness, he had a sense of openness and diversity for his time that I think makes him a good candidate as the patron saint of Britain.”

Find out more in this article:
“Home-grown holy man” (The Independent, 23 April 2008)

On a somewhat similar note, here’s Aelianus (one of our favourite bloggers) writing on British Identity last September.

Millions of tax dollars taken from hard-working Americans are going to subsidise one of the wealthiest school districts in the country

Anyhow, the Bronxville School (as it is called, since all grades from kindergarten to 12th are in the same building) ostensibly has a number of things going for it. It has a rather splendid collegiate gothic building in an excellent setting in one of the handsomest villages in all of the Empire State. Its school district is a mere square-mile, meaning most students can walk to school and it doesn’t even have a bus system. It has a private foundation funded independently by parents and alumni to support the school. What more could a public school possibly need?

Well, according to the geniuses down in Washington, D.C., $5.4 million in federal grants. The school, you see, is built on a site which frequently floods. Our main street in Bronxville is called Pondfield Road for a reason: the field with the pond is the open space where the school now stands. It’s been flooding for decades and so floods should come as no surprise. The nor’easter that blew through town a year ago flooded the school severely, closing it for over a week. The flooding was particularly bad during the last nor’easter because the school had spent a great deal of money (privately-raised, not from the public purse) to replace its natural football field with a lower-maintenance fake turf alternative. They did this instead of saving the money for, oh, say, one of those floods that happens every so often.

The money has been secured from the Federal Emergency Management Agency by our congresswoman, Nita Lowey (D). “When a natural disaster occurs, the federal government has a responsibility to help communities recover,” said Lowey, who neglected to provide any legal or moral backing for such an untruthful and baseless claim.

The school district of one of the wealthiest communities in the country is filching off the hard-working people of America in order to clean up the mess that is a direct result of its own poor spending decisions and inability to plan properly. Is there no shame?

Where can you find a model for the laity, a renegade bishop, a row of classical townhouses, an historic electoral victory for the Right, a loyal princess and a wayward prince, a call for partition, and some splendid ceremonial?

Why, the latest Norumbega of course!

Note: This was just sent me by a mutual friend of Herr Zmirak and myself. At first thought it was a wry parody of a ZENIT article but, lo and behold, it is actually a real ZENIT article praising this loyal son of the Empire State (who proudly boasts of his descent from subjects of the Hapsburgs).

Stand-up Apologist
John Zmirak Called to Be Church’s Comedian

by Elizabeth Lev

VATICAN CITY, APRIL 23, 2008 (Zenit.org).- In his 1980 novel “The Name of the Rose,” Umberto Eco dedicated a lengthy erudite section to the question, “Did Jesus Laugh?” Reading the works of Catholic author John Zmirak, he probably laughs a lot.

John Zmirak, a Queens-born author, journalist and apologist, regaled students and adults alike last week in Rome during the launch of his new book “The Grand Inquisitor.”

I spoke to Zmirak about how he reconciled a rapier wit with an ironclad faith, and was fascinated to hear the story of how this prickly pear of piety sprouted in the heart of 1970s Queens.

The first of Zmirak’s guides follows the liturgical calendar, covering the various feasts and seasons with his jovial wit and banter. In the second guide, John gives us a jaunty and alcohol-tinged A-to-Z journey through the Faith. But John Zmirak bears the scholar’s cap as well as the jester’s. Here’s his introduction to the life and work of Wilhelm Röpke, the Swiss architect of Germany’s postwar economic miracle.

While other adolescents challenged authority by flaunting curfews or smoking, Zmirak was a youthful rebel for God. During his sophomore year, his religion teachers at his local Catholic high school began teaching notions contrary to the faith. Not being particularly well formed, Zmirak absorbed the doubts and contradictions until one day he was told that the transubstantiation — the change of bread and wine into the body and blood of Christ — wasn’t real.

The 15-year-old student balked, remembering vividly his mother explaining that when the bells rang “the bread turns into God.” (This by the way, is a reminder of the centrality of the role of parents in the formation of children.)

Zmirak found a Catechism and read the Church’s teaching for himself. Outraged, the teenager began a letter-writing campaign to his local bishop, persevering in the face of indifference and even hostility. One can almost imagine Zmirak as an early Christian martyr, proclaiming his faith and poking fun at his persecutors even as he faced the lions in the arena.

Zmirak’s unique perspectives and fine mind won him a scholarship at Yale, where he faced the full gale of secular intelligentsia. But he soon realized that it wasn’t the finely reasoned arguments against the tenets of Catholicism that were weakening the faithful, but ridicule.

Zmirak has an unusual take on what undermined the faith of Catholics in America. “It wasn’t eroded by earnest atheists and intellectual attacks,” he states. “What broke down ordinary people was a thousand clever comedic skits.”

So George Carlin and Saturday Night Live’s Father Guido Sarducci are responsible for the rise of the “cafeteria Catholics?” Zmirak says yes. “If you get people laughing, whatever your message is, it slides in unnoticed under the door.”

And thus Zmirak found his vocation. He thought that if humor could be used against the Church, then it could be used for it.

Two of the author’s most popular books are “The Bad Catholic’s Guide to Good Living” and “The Bad Catholic’s Guide to Wine, Whiskey and Song.” Like handbooks for fraternity boys, these books dream up parties, games and drinking activities, all laced with good humor and anchored in Catholic belief.

The good-living guide is dedicated to the fine sense of humor of the Pope John Paul II. Zmirak points out that the Pope not only brought down the Iron Curtain, but also won hearts with his refreshing comedic moments. Even a generation raised on Seinfeld and Monty Python found him accessible.

His guide follows the liturgical calendar with hilarious takes on the individual feasts and recipes and party ideas to celebrate them. In the pages of his book, every day is a reason to make merry in the Catholic world.

The “Guide to Wine, Whiskey and Song” is the rarest of things — a successful sequel. From A to Z, Zmirak runs through the most well-stocked liquor cabinet imaginable, tracing every form of spirit and elixir back to its Christian origin. In the finest of traditions, he also provides drinking songs, the funniest being Monty Python’s “Philosopher Song” reworked to feature heretics.

Zmirak’s latest effort, “The Grand Inquisitor” is a different genre for him, a graphic novel. Dubbed the anti-”Angels and Demons,” the story is set during a conclave, involves kidnapped cardinals, but champions the cause of orthodoxy and fidelity to the magisterium.

“The Grand Inquisitor” features all the staples of a good noir thriller — dark, graphic design, striking portraits and flashes of razor sharp wit — but contrary to genre which invariably transmits an anti-Christian message, Zmirak’s story is rooted in love for the Church.

After several days with John Zmirak, it became clear that a deep faith and great intelligence provide ballast for what seems to be Christendom’s first stand-up comic. A refreshing reminder of how it takes all kinds to make the Catholic Church.

Today is St. George’s Day.

On this day in 303, St. George was killed; in 997, St. Adalbert of Prague died; in 1014, Brian Boru defeated the Vikings at Clontarf; in 1348, the Order of the Garter was founded by Edward III; in 1564,William Shakespeare was born; in 1616, both Miguel Cervantes and William Shakespeare died; in 1635, the Boston Latin School was founded; in 1661, Charles II was crowned at Westminster; in 1725, St. Gerard Majella was born; in 1775, J.M.W. Turner was born; and in 1794, Guillaume-Chrétien de Lamoignon de Malesherbes was guillotined for his defense of King Louis XVI before the Convention.

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A vignette from the Holy Father’s recent youth rally in Yonkers:

From For God, For Country, and For Yale, via Benedicite, Pater reverende.

The Church of Our Lady of Esperanza, 156th Street & Broadway. The Church was built by Archer Huntington at the urging of Doña Manuela de Laverrerie de Barril and designed by Huntington’s brother Charles. The sanctuary lamp was a gift from King Alfonso XIII of Spain. The present façade dates from 1924, when the Church was expanded under the direction of Lawrence G. White, the son of Stanford White of McKim Mead & White and himself a partner in his father’s firm.

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What’s this? A building built from the ground up by a developer in New York, and designed to look like a New York building? Something to look forward to at 211 Elizabeth Street.

No, this isn’t a photograph of the latest Norumbega staff meeting, it’s a publicity shot from the upcoming United Artists film, “Valkyrie”. The film tells the story of Claus Philipp Maria Schenck von Stauffenberg, the heroic German Catholic noble who was the mastermind behind the July 20 plot against Hitler. Needless to say, there has been much anticipation over this film, especially since the lead role went to Tom Cruise, who has never quite got the knack of acting. Like Jeremy Irons, he seems to believe that completely different characters require little or no change in performance, but is mysteriously still making films nonetheless. (Cruise at least has the excuse of being a Scientologist to explain his success… what’s Jeremy Irons’s?).

Despite the poor choice of Mr. Cruise play Count Stauffenberg, the rest of the cast includes some pretty inspired choices. Playing Countess Nina von Stauffenberg is Carice von Houten (above), whom you will remember from “Zwartboek”. She’s joined by fellow “Zwartboek” actor Christian Berkel (top photo, seated far left), who played the evil General Kaütner in the Dutch film, the character responsible for the downfall of the good German, General Müntze, who was played by Sebastian Koch (better known for his role in the hit “Das Leben der Anderen”) who (pause for breath) actually played Count Stauffenberg himself in a 2004 German television production called “Stauffenberg”. Speaking of downfalls, Berkel (we’re back to him now) also played a nasty Nazi in the 2004 film “Downfall” depicting the last few days in Hitler’s bunker. [Correction: Berkel actually played Dr. Ernst-Günter Schenck, one of the good guys.] Some more of the cast…
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The national library is one of our underappreciated architectural achievements. Henry Hope Reed put together a handsome tribute to and record of the building. What a shame it is located in Washington, D.C.

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